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CHAPTER
II
2. Stage plays also captivated me, with their sights full of the images of my
own miseries: fuel for my own fire. Now, why does a man like to be made sad
by viewing doleful and tragic scenes, which he himself could not by any means
endure? Yet, as a spectator, he wishes to experience from them a sense of grief,
and in this very sense of grief his pleasure consists. What is this but wretched
madness? For a man is more affected by these actions the more he is spuriously
involved in these affections. Now, if he should suffer them in his own person,
it is the custom to call this "misery." But when he suffers with another, then
it is called "compassion." But what kind of compassion is it that arises from
viewing fictitious and unreal sufferings? The spectator is not expected to aid
the sufferer but merely to grieve for him. And the more he grieves the more
he applauds the actor of these fictions. If the misfortunes of the characters--whether
historical or entirely imaginary--are represented so as not to touch the feelings
of the spectator, he goes away disgusted and complaining. But if his feelings
are deeply touched, he sits it out attentively, and sheds tears of joy.
3. Tears and sorrow, then, are loved. Surely every man desires to be joyful.
And, though no one is willingly miserable, one may, nevertheless, be pleased
to be merciful so that we love their sorrows because without them we should
have nothing to pity. This also springs from that same vein of friendship. But
whither does it go? Whither does it flow? Why does it run into that torrent
of pitch which seethes forth those huge tides of loathsome lusts in which it
is changed and altered past recognition, being diverted and corrupted from its
celestial purity by its own will? Shall, then, compassion be repudiated? By
no means! Let us, however, love the sorrows of others. But let us beware of
uncleanness, O my soul, under the protection of my God, the God of our fathers,
who is to be praised and exalted--let us beware of uncleanness. I have not yet
ceased to have compassion. But in those days in the theaters I sympathized with
lovers when they sinfully enjoyed one another, although this was done fictitiously
in the play. And when they lost one another, I grieved with them, as if pitying
them, and yet had delight in both grief and pity. Nowadays I feel much more
pity for one who delights in his wickedness than for one who counts himself
unfortunate because he fails to obtain some harmful pleasure or suffers the
loss of some miserable felicity. This, surely, is the truer compassion, but
the sorrow I feel in it has no delight for me. For although he that grieves
with the unhappy should be commended for his work of love, yet he who has the
power of real compassion would still prefer that there be nothing for him to
grieve about. For if good will were to be ill will--which it cannot be--only
then could he who is truly and sincerely compassionate wish that there were
some unhappy people so that he might commiserate them. Some grief may then be
justified, but none of it loved. Thus it is that thou dost act, O Lord God,
for thou lovest souls far more purely than we do and art more incorruptibly
compassionate, although thou art never wounded by any sorrow. Now "who is sufficient
for these things?"[59]
4. But at that time, in my wretchedness, I loved to grieve; and I sought for
things to grieve about. In another man's misery, even though it was feigned
and impersonated on the stage, that performance of the actor pleased me best
and attracted me most powerfully which moved me to tears. What marvel then was
it that an unhappy sheep, straying from thy flock and impatient of thy care,
I became infected with a foul disease? This is the reason for my love of griefs:
that they would not probe into me too deeply (for I did not love to suffer in
myself such things as I loved to look at), and they were the sort of grief which
came from hearing those fictions, which affected only the surface of my emotion.
Still, just as if they had been poisoned fingernails, their scratching was followed
by inflammation, swelling, putrefaction, and corruption. Such was my life! But
was it life, O my God?
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